At this point, I would also like to make a note on the versatility of the visual-language employed in Concept Art by considering the examples we have examined in regard to proportions: for the first and third characters of the Green Team, I have used two different types of modifications of the body's proportions, once of individual body parts in relation to each-other, and once of the entire figure in relation to external points of reference, each resulting in a suggestion of Strength. Then for the third character of the Yellow Team and now the first character of the Red Team, I have used the same two types of modifications, but in a different way than the first two cases, in order to suggest different attributes. What is interesting is that, although in each case I have performed the exact opposite change for the second example as that used in the first example, the attributes which this suggested were different: in one case Intelligence and in the other Speed. This suggests a high degree of complexity of this method of communication - higher, perhaps, than would have initially appeared.